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Chances are that anyone who is part of any family will see glimpses of themselves in the Kapoor’s, whether it be in Arjun’s “younger sibling complex,” Harsh’s stress as the household head whose business is buckling, or Sunita’s growing distrust and vexation towards her husband. Perhaps going a step too far to prove its departure from the “same old” dysfunctional family film, Batra throws in one too many “twists” at the climax, weakening the plausibility he would have otherwise accomplished with fewer last-minute additions.īut for all its missed opportunities, “Kapoor & Son”’s ultimate, greatest strength lies in its relatability. Instead, Batra pushes it aside as quickly as he brings it up-either for lack of time, or for lack of motivation-or guts?-to explore it further. Between the grandparent/grandchild bonding during clandestine joint-smoking sessions, some frothy brotherly banter, and the lukewarm love story between Tia and Arjun, subplots that are much more intriguing, and deserved far more screen time, are compromised a deeper exploration of the buildup behind Harsh and Sunita’s tumultuous relationship, for instance, is abbreviated into a hastily inserted conversation well into the second act, potentially reducing the impact of its eventual outcome.Ī new discovery about another character is a golden opportunity to dig deeper into a subject matter often misinterpreted or approached by many mainstream directors with trepidation. Where “Kapoor & Sons” may have held back in stylistic excess, it overshoots, to its own detriment, in terms of its storytelling ambitions, apparently determined to stuff as many narrative beats as it possibly can into the last 20 minutes of the film. Whether they’re engaging in lighthearted conversations, awkward and tense silent treatment, or explosive brawls, their rapport appears effortless there’s a particularly endearing scene in which, gathered with extended family, the entire clan erupts into a clumsy but happy rendition of an old favorite song, a reminder that they can just as easily make each other smile as they can push each person’s buttons, as though by years of habit.Īnd yet, even the cast’s collective skill set seems tested by the incredibly crammed-up screenplay. But in a classic case of synergy, the family is better together than the sum of their parts. Rishi Kapoor’s role amounts to little more than the trigger for the sons’ initial return home, and his sense of humor-rooted in an enthusiasm for adult films and a somewhat disturbing interest in younger (much younger) women-often seems more suited for slapstick comedy than family drama, though he has some genuinely giggle-worthy moments as the irreverent, twinkly-eyed octogenarian. And while Pathak-Shah slips disappointingly into overacting at times, she’s an ideal complement to Rajat Kapoor’s less volatile demeanor. While Malhotra still appears slightly unseasoned when portraying intensely dramatic scenes, he is both endearing and at ease in his scenes with Bhatt-who, unfortunately, is all of mediocre in a role that doesn’t stretch her in the slightest.
#KAPOOR AND SONS PLOT SKIN#
After a stiff-upper-lip Bollywood debut in “Khoobsurat” that seemed more about his inhibitions than his stoic character in that film, Khan is much more comfortable in his skin here, playing the reluctantly perfect older brother like a natural. That’s not to say that the actors don’t deliver in their own right. Boasting an ensemble cast who are as capable as they are easy on the eyes, “Kapoor & Sons” shines brightest when the actors appear in the frame together.